Lynyrd Skynyrd Bio

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Legendary rock band Lynyrd Skynyrd returns with a fiery slice of Southern style guitar rock heaven in Last of a Dyin’ Breed, their newest release on Roadrunner/Loud & Proud Records due August 21, 2012. This is the kind of record guaranteed to feed the needs of the multi-generational Skynyrd Nation, and continue the renewed vigor the band exhibited with their last album, 2009’s God & Guns.

For the passionate, longtime fans of the band, this is Skynyrd at the top of their game, complete with instantly memorable songs, more hooks than a tackle box, and a blistering three-guitar attack at full power. From the raging guitars of the title track and the pounding, funky homage to local talent in “Home Grown” to the mind-blowing “Honey Hole,” Lynyrd Skynyrd sound like young bucks having one hell of a good time, which, regarding the latter, founding member Gary Rossington says is very much the case.

“For me this is one of the happiest and most fun albums I’ve ever done,” says Rossington. “We didn’t have a lot of problems goin’ on; it was just fun goin’ to work every day.”

Having survived enough tragedy and just plain hard miles for 10 bands, Skynyrd is, remarkably at this stage of their career, on a roll. God & Guns debuted at #18 on the Billboard Top 200, giving the band their highest debut since 1977. Last Of A Dyin’ Breed re-ignites the in-studio alchemy the band found with Guns producer Bob Marlette, and the sound is traditional Skynyrd blended to perfection with the edge of immediacy. In short, it’s rock ‘n roll for the times.

Led by core members Gary Rossington (guitar), Johnny Van Zant (vocals) and Rickey Medlock (guitar), Skynyrd has recorded an album that continues to build on the legacy that began over 35 years ago in Jacksonville, Florida. Joining them in the studio and on the road are new bassist Johnny Colt (Black Crowes, Train) guitarist Mark “Sparky” Matejka (a “Nashville cat, just a pickin’ fool,” according to Rossington), and keyboardist Peter Keys, who replaced Powell on the God & Guns tour.

In a tragic tale oft-told, the Skynyrd story could have ended in a Mississippi swamp with the 1977 plane crash that killed three band members, including Ronnie Van Zant and Steve Gaines. Since then, the band has lost vital players in Billy Powell, Ean Evans, Allen Collins, Leon Wilkeson and Hughie Thomasson, yet here they are again with a hard-rocking, stirring album that can sit proudly alongside any recording that bears the Skynyrd name. The breed may be nearing extinction but Skynyrd is very much alive and ready to throw down.

Van Zant, now in his 25th year standing where his brother once stood agrees with Rossington about the making of Breed. “We worked with Bob Marlette again who’s a great guy we just love as a producer,” he says. “During the recording of the last album we were going through Billy and Ean passing away, and with this album we were able to laugh and joke a lot.”

Medlock says that after the hard touring behind God & Guns he and the other primary writers Van Zant and Rossington took their time writing the songs. But the actual recording came together quickly, aided by the band’s in-studio chemistry. “This time what we wanted to do was go back to doin’ stuff old school,” he says. “A lot of the album was done with all of us in the recording studio, playing all at one time, the way we used to do it when we’d go into the studio to make records.”

With a catalog of over 60 albums, sales beyond 30 million worldwide and their beloved classic American rock anthem “Sweet Home Alabama” having sold over two million ringtones, Rock & Roll Hall of Famers Lynyrd Skynyrd remains a cultural icon that appeals to multiple generations. But far from resting on their laurels, any illusions that this may be a band at anything less than the height of its powers are quickly lost with the distorted fury of the fiery guitar licks that open the album’s title track and further put to rest with the gritty triumphs that follow.

They could easily continue cranking out old songs to rapturous audiences around the world but the fact is they’ve got plenty left to say musically, personally and as social commentary. “Every once in a while the record label will ask us if we want to put a new album out and we always say yes, because, although we love playing all the classic stuff, it’s fun to do new stuff too,” says Rossington, “for our own heads, our own peace of mind.”

Lynyrd Skynyrd is a band of today, carrying a steely mantle forged in the sweaty confines of the Hell House in Jacksonville decades earlier. And this is a band album, to be even more specific, a guitar driven band album. The triple guitar assault has never sounded more on point, with passionate musicality, expert harmonics and of course, plenty of attitude to burn. There’s a reason this is one of the most beloved bands of all time.

“We tried to go back to the old sound, doin’ it as a band, goin’ in all together and layin’ it down,” says Rossington. “On the last album, we leaned a little more country, back to our roots, but this time we just tried to be our old selves and write some Southern rock. Just good ol’ songs, get in and get out, say what they say, do a little bit of pickin’ and tap your feet.”

Those searching for traditional Skynyrd solos and fierce instrumental breaks will have plenty to love on Breed, with every song featuring ample fretwork from one, two or even all three guitarists. “We love to do the harmonies and stuff with lead guitars,” says Medlock. “That’s a Skynyrd staple, and we embellished on it quite a bit this time around. We wanted to make a guitar driven record and have the vocals sit really good in the saddle there with all the guitars, just have it more rockin’ and a lot more powerful.”

Mission accomplished, with plenty of fireworks and rock-solid rhythms from all players. “Sparky has just fit in great with Rickey and Gary, everybody knows their place now,” says Van Zant. “Sparky’s a strat guy, Gary’s a slide guy with the Les Paul sound and all those great fills, and Rickey’s the ‘all-around’ guy that does a little bit of everything.”

But the guitars and other instruments—Keys’ organ, for example, play a vital role in the soundscape. Van Zant’s vocal chops and way with a lyric have never been in finer form, breathing life into these songs and taking on some serious vocal challenges. “I quit smokin’ a year and a half ago, so that helped out quite a bit,” he says with a characteristic laugh. “Workin’ with Bob is great too. We cut the vocals right in the control room itself, which is real cool to me, because me and Bob go back and forth right there, so you’re not waiting for a button to be pushed. It’s just a real cool vibe. We’ve got a good thing goin’ here.”

They’ve got a good thing going in terms of material, too. The primary Skynyrd writing team of Rossington, Medlock and Van Zant worked with some of their favorite songwriters to pen the songs that populate Breed, including Tom Hambridge, Blair Daly, John 5, Donnie Van Zant, and Marlette, along with contributions from the bands Matejka, as well as Marlon Young, Audley Freed, Shaun Morgan from Seether, Cadillac Black’s Jaren Johnston, and label mates Black Stone Cherry’s Chris Robertson and Jon Lawhon.

The blend of writers from within and outside the band concocts a hard-hitting cadre of songs that fit perfectly into the Skynyrd canon. These songs are of the 100-proof variety. “We like bringing in outside influences and I love feeding off other people,” says Van Zant. “I’ve had people ask me, ‘how could Gary create another ‘Free Bird?’ We don’t even try that. Those are legendary songs. We just write what we write. It’s more about us just hangin’ out and being together and enjoying life and writin’ songs. My theory is like Ricky Nelson’s, ‘you can’t please everyone, so you’ve got to please yourself.’ If you’re happy with it at the end of the day, so be it.”

Not as overtly political as its predecessor God & Guns, Breed focuses more on the struggles of the working class, though the band make their thoughts on the direction of this country crystal clear on songs like the reverb-drenched “Poor Man’s Dream” and the blue-collar powerhouse “One Day at a Time.” “When we go in to record, we don’t go in with one certain mindset,” says Medlock. “We just go in and write about stuff we believe in, our experiences.”

The band is tuned in to the tough times many Americans are going through, and they sing songs that might well help on that journey, or at least help let off some steam. “Skynyrd really thinks about how people are struggling and what’s goin’ on out here,” says Medlock. “We see it a lot, because we’re a working man and working woman’s band. We’ve got three generations under our belts, we know people have a tough time out there, and we share in that.”

Gary Rossington won’t typically volunteer for political talk but he is an astute observer, and what he sees sticks in his craw. “I don’t like to talk politics,” he admits “I just don’t trust a lot of politicians. I think the country’s way off track, but we’ll get it back on, it’s too good of a thing to lose. We travel all around the country, there’s too many good people and good Americans who all want the same thing, just to get back on track the way we used to be.”

Like it or not, with a title like God & Guns, the previous album was bound to be a lightning rod out of the box. “I couldn’t believe how well God & Guns was accepted when it came out, in Europe, Australia, South America, here in the States; everybody we talked to, 99% of it was positive feedback,” says Medlock. “My whole thing was, we’ve got to go in the studio this time and step up, we’ve got to do at least what God & Guns did, or one better. And, in my opinion, I think we accomplished that. I’m looking forward to going out and playing some of this record live, along with our classic material, and taking it to the people and letting the people make their decision.”

Odds are, the “people,” specifically, the aforementioned Skynyrd Nation, will love Last of a Dyin’ Breed, and anyone who hasn’t checked into what this band has been up to for a while will likely be blown away. As for their part, Skynyrd will, per usual, indeed be taking their music to the people, as fans in Europe and North America will have a chance to catch the band on tour through the end of 2012 and beyond.

Lynyrd Skynyrd is:
Gary Rossington- Guitar
Johnny Van Zant- Vocals
Rickey Medlock- Guitar
Mark "Sparky" Matejka- Guitar
Michael Cartellone- Drums
Johnny Colt - Bass
Peter Keys - Keyboards
Dale Krantz Rossington- Honkettes Backing Vocals
Carol Chase- Honkettes Backing Vocals

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Russell Walker / Russell Walker Roofing // May 06, 2010 12:52:26 PM UTC

@Shadow Hawlk: Keep practicing sounds like ur learning fine. Hope u find that tutor.

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Russell Walker / Russell Walker Roofing // May 06, 2010 12:50:41 PM UTC

@Ronnieinmyheart : Great story KEEP ON ROCKIN

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Shadow Hawlk // May 05, 2010 8:47:23 PM UTC

I've been a Skynyrd fan all my life. I'm from NORTHERN ireland, my parents have told me that when I was a baby ever time a Skynyrd song came on the radio or tv i would start smiling and when the song ended i'd cry. i'm 17 now and Lynyrd Skynyrd has inspired me to learn guitar, i've only started to but already i can play my all-time greatest Skynyrd hit Tuesday's Gone, i'm self taught as of now but Tuesday's Gone was my first goal. now i can play it i'm lookin for a tutor who can eventually teach me Skynyrd's signature song FREEBIRD. i may not be their biggest fan but i sure am one of their ULTRA fans, my all-time favourite movie is, you guessed it Freebird: the movie and my favourite album is second helping, i listen to NOTHING but Lynyrd Skynyrd. if that doesn't make me an ultra fan then i guess i better try harder.

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Ronnieinmyheart // April 30, 2010 12:41:06 PM UTC

When I was a kid, back in 1975, I was looking to by a new album. A friend in Vansterdam (Vancouver's name if yer a Canadian) introduced me to an awsome album by three hombres called ZZ Top Tres Hombres. I fuckin' loved all of it, great album to say the least; until I seen Skynyrd's Nuthin' Fancy. Well, that's when I fell in love with the best band ever (in my head anyways). I liked it at first 'cause of the album cover with Billy Powell flippin' the bird as ya'll were walking through some field. I bought it, took it home and played it over and over and over...then I thought "...I hope these guys got more records. I went back to the record store and seen Second Helping 'cause of the two leaves on the cover and fell in love with that too. Then what "iced the cake" was pronounced Le-nerd Skin-ard and that was it. I became Skynyrd's BIGGEST FAN then and till this second am still their greatest fan. If any ya'll wanna dispute this FACT, well let's due er big fella. I knew all the members names, what they played and what type of guitars they played eg. Ed King liked his Strats, Gary Rossington liked his Les Pauls and SGs, Allen Collins fancied a Gibson Firebird, etc. And Ronnie (God Bless Him) could sing like God. I LOVE YOU GUYS FOR ALWAYS. What happened to Allen Collins,Billy Powell, etc.? My regards for them too. When Street Survivors came out and you were booked to play in Toronto, I WAS GOIN', but due to (of all things) lack of jet fuel, the tragic crash happened and I was in the hospital from a real bad car accident when I read about the crash. That news 'pret near killed me, seriously. I cried and cried forever. It's like part of me died also. It has not been the same since. I really liked 38 Special and the Johnny Van Zant Band too but Skynyrd I worship. Thanks for the time reading what turned out to be my little book. Take care and fly high like a FREEBIRD does and keep pumping out some more of that swamp,swamp, swamp, swamp music ya'll. LUV YAZ.

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Honey // April 29, 2010 5:48:30 PM UTC

Have been a Skynyrd follower since the 70's. Was lucky enough to meet them and hang!!! Was one of my memories I will never forget!!! Rock on boys....

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Sean Howson // April 24, 2010 10:35:49 AM UTC

Been a fan since i was 3. I saw Skynyrd in March at hammersmith and feel more than honoured as a 15 year old to have seen them. Have no doubt the music will live for generations to come.

JhonLadd is right: what a legacy to leave the world!

Sean

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BURNSY // April 23, 2010 9:57:03 PM UTC

Here I am just browsing the net at nearly 11 at night and what do I come across? Only a website for my favourite band of all time.
I saw the great men here in Portsmouth southern England in the early 70's and was blown away.I will never forget Ronnie holding his arms outstretched on stage, looking up at all of us and saying," Hi Yall".
From the bars of the first song I was hooked.
In the background was the Confederate Flag which to this day is the memory I have of the greatest rock band of all time.
I still have all the old albums,neatly stacked in cellophane to protect them and when I need cheering up I crack a can of Stella and spread all of them across the bed and just think of those long hot days in England in 1976.
Oh how I would dearly love to bring them all back.

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J.M // April 23, 2010 12:29:10 PM UTC

JOhnny van zant give me your phone number

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jt_flyer // April 22, 2010 11:47:26 PM UTC

I was going to see these guys in 1977 as a high school graduation gift. It took a few years but this year it finally happens. I never should have missed Powell.

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slwgolf1 // April 20, 2010 1:52:32 PM UTC

@bugsey59:

Depends on what show

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